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While these foreshadowings may be hard to catch on to, they can give away essential information to the story.Irony is third and final literary device the reader finds to enhance the story.
When death comes back into Liesel’s life to take her this time, he brings her a gift.
Death went back through the ruined Himmel Street to find the Liesel’s book from the rubble, and he gave her the dusty black book from his pocket,” (Zusak 549) Liesel’s book, The Book Thief.
Then, a white boy, from an acting Nazi family, by the name of Rudy Steiner, also the best-friend of Liesel, took some charcoal and “[h]e smeared the charcoal on, nice and thick, till he was covered in black. The irony in this falls on the fact that a young boy who is supposed to be following the Nazi motives, wishes to be a man who does not fall under the “master race. This one is as simple as the name of the street in which the Hubermanns live on. The final occurrence of irony here deals with Max, the wandering Jew who was taken in by the Hubermanns.
The narrator remarks, “Whoever named Himmel Street certainly had a healthy sense of irony. The book Mein Kampf is the book of the Nazi’s, written by Adolf Hitler himself.
This novel explores a unique method of narration by handing the point of view to Death itself.
Book Thief Essay
While enhancing the point of view, Death also contributes in his narration elements of foreshadowing and irony.
After the protagonist makes her first steal at the graveyard of her brother, when she steals: The Gravediggers Handbook, Death tells us the future of Liesel’s stealing career with books.
Liesel owned fourteen books, of the ten most prominent, “…six were stolen, one showed up at the kitchen table, two were made for her by a hidden Jew, and one was delivered by a soft, yellow-dressed afternoon.
From this we can see that there are two sides to this version of death.
Death can show pity, and be kind to those who have watched their loved ones fall to his own hands.